Graphics art

Graphics art – printmaking art

Printmaking is a distinctive art form that demands a combination of technical expertise and imaginative vision. The process of crafting a matrix can be time-consuming and labor-intensive, yet it also provides a profoundly contemplative experience. As I immerse myself in the creation of the matrix, my attention becomes finely attuned to the intricate details of the image.

Once the matrix is meticulously completed, I can embark on reproducing my artwork in multiple copies. This enables me to share my artistic vision with a broader audience while preserving the unique essence of each individual print. Each print stands as an autonomous masterpiece, possessing its own distinct character and personality.

Moreover, the ability to generate multiple copies of a single image grants the artist a remarkable sense of bilocation, as they can be present in several places simultaneously. This extraordinary aspect of printmaking amplifies its allure, offering both technical challenges and boundless creative opportunities.

Graphic Arts in Classical Printing Techniques

Classical techniques, such as etching, have been utilized for centuries and have consistently demonstrated their effectiveness in producing high-quality prints. However, the emergence of new technologies and materials has opened up a realm of possibilities for artists to experiment with different techniques and create truly unique works of art.

One of the key advantages of printmaking lies in its ability to generate multiple copies of an artist’s work. This accessibility allows a wider audience to appreciate and enjoy their art. Moreover, the process of printmaking itself can be immensely fulfilling. It demands patience, skill, and meticulous attention to detail, but the end result often justifies the effort invested.

As an artist, I relish the opportunity to explore my own techniques and experiment with various materials. Surprisingly, I have discovered that employing inexpensive or unconventional materials can yield unexpected results, infusing my prints with added depth and texture. The true strength of printmaking lies in its capacity to convey profound emotion and meaning through the simplicity of shapes on pristine white paper.

Digital art in graphics art


Digital technology has revolutionised the world of art, providing artists with endless opportunities to explore new techniques and styles. This has resulted in the creation of intricate and complex images that were previously unimaginable. By harnessing the power of digital tools, artists can effortlessly manipulate colors, shapes, and textures, resulting in visually stunning masterpieces.

Furthermore, the advent of digital technology has made it significantly easier for artists to share their work with a global audience. Thanks to the rise of social media platforms and online galleries, artists can now showcase their creations to people from all corners of the world. This has led to a remarkable democratization of art, allowing individuals with an internet connection to access and appreciate diverse works of art from various cultures and backgrounds.

However, there are those who argue that the use of digital technology in art diminishes the traditional craftsmanship associated with fine art printmaking. They contend that digital tools make it too effortless for artists to create images without the same level of effort and skill required in traditional printmaking techniques.

While it is true that digital artwork can be easily reproduced and published digitally or as prints, it is crucial to preserve the uniqueness and artistic integrity of each piece. To achieve this, artists must specify a limited number of copies, ensuring that the artwork retains its exclusivity. Additionally, providing information about the technique used in the creation of the prints, such as solvent print or Giclee, adds a touch of sophistication and distinction.

It is worth noting that the prevalence of digital prints in exhibitions is on the rise. This can be attributed to various factors, such as artists lacking access to traditional printmaking studios or simply preferring the convenience and cleanliness of digital graphics. Computer graphics programs offer a plethora of possibilities, making the creation of digital artwork significantly more accessible.

In light of these advancements, some may argue that traditional graphics should fade into obscurity. However, it is important to recognize that traditional printmaking techniques possess a unique charm and authenticity that cannot be replicated by digital means. 

Graphics art in my studio

My studio is filled with captivating handmade graphics that showcase my unique techniques using simple materials. While most of my graphic images are presented in black and white, I reserve the use of color for my paintings, as it offers a rich medium of expression.

To ensure the perfect fit for each image, I meticulously test various colors for their suitability. Once satisfied, I proceed to print my graphics on a specialized graphic press. Witnessing the first print is an unparalleled experience, as it brings the artwork to life in a tangible form.

It is important to note that the process of creating handmade prints is vastly distinct from producing digital prints on a computer. These two methods are incomparable, each possessing its own charm and artistic value.

Coincidence in printing

Furthermore, there is an additional factor that sets traditional graphics apart from the rest. When creating prints by hand, coincidences occur, just as they do in any manual labor. A skilled artist can harness these coincidences in innovative ways, allowing unexpected events to pave the way for new artistic directions. Even when utilizing a pre-made die and it appears that every detail has been meticulously planned, the act of printing remains a mechanical duplication.

Limited edition prints

I produce my graphics in limited editions prints ⇢, utilizing a press located in my studio. Typically, I print around 30 pieces at a time. While printing may not be inherently captivating, there is an undeniable allure in witnessing the same image come to life through multiple copies, emanating the invigorating scent of fresh printing ink. The initial prints hold a special fascination for me. They serve as a litmus test, revealing whether the matrix accurately reflects my intended vision. More often than not, the first print acts as a guiding light, indicating areas that require further refinement in the matrix. However, when that inaugural print confirms that I am heading in the right direction and that my work has the potential to evolve into a remarkable painting, that is when pure joy envelops me. Moreover, the first prints derived from a particular master also unveil its inherent potential. Each material leaves behind its unique trace in the reflection, and printmaking becomes an exploration of these traces. It becomes imperative to identify the most fitting ones, as they form the foundation upon which captivating images are crafted.

Graphic studio – my paradise

In my graphic studio, I can feel like a creator. First I make a matrix and then I print. Copies of the images come out from under the roller of the graphic press. It is up to me how many will be created. I feel I can do a lot with the graphic press!